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    Omanyano ovanhu koikundaneki yomalungula kashili paveta, Commisiner Sakaria takunghilile Veronika Haulenga

Entertainment

Dalton Ashikoto Unveils “The Edge”: A Namibian Film Exposing Fake Pastors and Exploitation

todayJanuary 29, 2024 47

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January 29, 2024/Leonard Witbeen

In a recent interview, Dalton Ashikoto, the founder and director of Dash Studios, shared insights into his upcoming film, “The Edge.” As a prominent figure in Namibia’s multimedia scene, Dalton provided a glimpse into the world of film, discussed his current projects, and shed light on the societal issues addressed in his latest cinematic endeavor.

Introduction to Dash Studios and Upcoming Projects

Dalton Ashikoto introduced himself as the founder and director of Dash Studios, a multimedia company deeply involved in TV, film, and various forms of media. He highlighted his current involvement in an acting workshop in collaboration with MultiChoice, showcasing his commitment to nurturing young talent in the field of TV acting. Additionally, Dalton revealed ongoing post-production work on his film, “The Edge,” and teased future projects, including a comedy slated for shooting by the end of the year.

Exploring “The Edge”: A Namibian Film

Dalton provided an intriguing glimpse into his film, “The Edge,” which he described as an exploration of fake pastors and their exploitation of congregations for personal gain. Inspired by real-life incidents, particularly the controversial figure Bushiri, the movie delves into the manipulative tactics employed by such figures to amass wealth under the guise of spirituality. Dalton explained that “The Edge” centers around a fake pastor who promises miracles and healings to his congregation in exchange for financial support, presenting a narrative that exposes the darker side of religious exploitation.

Namibian Talent in “The Edge”

Dalton proudly emphasized the Namibian identity of “The Edge,” from the cast to the crew, showcasing the talent within the country. Recognizable names such as Marian Nepembe, Dice, Odile, Barbara Kahatjipara, and Obed Mvula, among others, play significant roles in the film. With a 100% Namibian cast and crew, Dalton expressed his pride in the collaboration and highlighted the support received from the Namibian Film Commission.

Distribution and Future Launch Plans

While details on the film’s distribution and premiere dates are still being finalized, Dalton announced a distribution agreement with MultiChoice. He hinted at a corporate launch event, inviting stakeholders and sponsors, while ensuring the film will be accessible to the wider public through MultiChoice channels once officially announced.

Aiming for a Pan-African Impact

Dalton expressed his desire to expand into broader African markets, particularly in South Africa, Nigeria, and Ghana. By addressing a prevalent issue like fake pastors, he hopes “The Edge” will resonate with audiences across the continent. Dalton sees Africa as a prime market with immense potential, and he aims to contribute to the larger narrative by showcasing universal stories that connect with diverse audiences.

The Economic Contribution of Arts and Entertainment

In response to questions about the economic contribution of arts and entertainment, Dalton emphasized the need to view art as a business. Drawing parallels with the thriving entertainment industry in the United States, he urged a shift in mindset from perceiving art as a hobby to recognizing it as a viable business sector. By doing so, he believes the industry can make a more substantial impact on the economy, generating revenue, and contributing positively to the country’s GDP.

In conclusion, Dalton Ashikoto’s insights provide a fascinating look into the dynamic world of Namibian filmmaking. “The Edge” not only promises an engaging narrative but also aims to stimulate conversations on societal issues while contributing to the growth of Namibia’s film industry. As Dalton ventures into broader African markets, his vision for a thriving African entertainment industry becomes a beacon of hope for creative entrepreneurs on the continent.

Written by: Leonard Witbeen

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